Twelve tales by such masters as Chekhov, Tolstoy, Dostoevsky, Pushkin, others. Excellent word-for-word English translations on facing pages, plus teaching and study aids, Russian/English vocabulary, biographical/critical introductions, more.
Based on previously unseen documents from the Tsarist military archive, this new history of the Russian Revolution proposes that the support of bordering countries seeing more benefit in the communist side´s fortunes was integral to the revolution and ensuing power structure´s success.
Required reading for fans of Tom Stoppard´s The Coast of Utopia-the landmark investigation into Russian history and thought Few, if any, English-language critics have written as perceptively as Isaiah Berlin about Russian thought and culture. Russian Thinkers is his unique meditation on the impact that Russia´s outstanding writers and philosophers had on its culture. In addition to Tolstoy´s philosophy of history, which he addresses in his most famous essay, ´´The Hedgehog and the Fox,´´ Berlin considers the social and political circumstances that produced such men as Herzen, Bakunin, Turgenev, Belinsky, and others of the Russian intelligentsia, who made up, as Berlin describes, ´´the largest single Russian contribution to social change in the world.´´ For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.
The Russian Canvas charts the remarkable rise of Russian painting in the 18th and 19th centuries, and the nature of its relationship with other European schools. Starting with the foundation of the Imperial Academy of the Arts in 1757 and culminating with the assassination of Tsar Alexander II in 1881, it details the professionalization and wide-ranging activities of painters against a backdrop of dramatic social and political change. The Imperial Academy formalized artistic training but later became a foil for dissent, as successive generations of painters negotiated their own positions between pan-European engagement and local and national identities. Drawing on original archival research, this groundbreaking book recontextualizes the work of major artists, revives the reputations of others, and explores the complex developments that took Russian painters from provincial anonymity to international acclaim.
How to handle Russia? This question has become ever more prominent as the Euro-Atlantic community´s relations with Russia languish in systemic crisis, with dialogue suspended, reciprocal sanctions in place and proxy wars raging. The wars in Ukraine and Syria, accusations of Russian interference in domestic politics and the attempted murder of the Skripals on UK soil have all contributed to soaring tension in the relationship. Yet faced with this array of serious challenges, Euro-Atlantic thinking about Russia remains stuck in twentieth-century rhetoric, trapped by misleading abstract labels and unsure whether to engage Moscow in dialogue or enhance deterrence and collective defence. Instead of thinking in these terms, leading Russia expert Andrew Monaghan argues that we must devise a new grand strategy for dealing with the Russians. Examining the ongoing Euro-Atlantic debate over Russia and framing Moscow´s own position towards the West, he sets out the foundations of a forward-looking strategy; one that can accommodate the many complex challenges presented by this new era of competition between Russia, Europe and the United States.